2018德國·國際巴羅克音樂節
2018 Germany · International Baroque Music Festival
2018年8月20-29日
20th-29th, August,2018


(德國-美茵茲大學|美茵茲音樂學院|法蘭克福音樂學院·古樂系)
(Germany-Johannes Gutenberg-University Mainz|Mainz University of Music|Frankfurt University of Music and Performing Arts·Historical Interpretation Practice Department)

組織機構
Organization Institutes


主辦單位Organizers:
中歐國際音樂藝術交流協會
China Europe International Music & Arts Exchange Association
德國-美茵茲音樂學院
Germany-Mainz University of Music
德國-法蘭克福音樂學院古樂系
Germany- Historical Interpretation Practice Department of Frankfurt University of Music and Performing Arts

協辦單位Co. Organizers:
德國-紐麥耶巴羅克樂團 Germany- Neuemeyer Consort
中歐國際音樂藝術交流協會 中國代表處
China Europe International Music & Arts Exchange Association China Representative Office
臺灣新竹直笛合奏團Taiwan Hsin-Chu Recorder Orchestra
香港Bravo Artists 音樂藝術空間 Hong Kong Bravo Artists Music Art Space

媒體支持Media Supports:
美茵茲彙報Mainz Allgemeine Zeitung

音樂節緣起
Origin of Music Festival


古樂復興運動,也稱為本真演奏運動,一戰後在歐洲興起發展已有幾十年了。期間大量歷史文獻被發掘,巴羅克時期各大作曲家被嚴格地考證研究,使得巴羅克時期本真的演奏藝術和技巧得到極大的還原及重新理解。這一運動直接對當代歐洲的音樂演奏藝術造成了衝擊和影響。
Classical Music Revival Movement, also called Authentic Performance Movement, has risen and developed for more than half century in Europe after the Second World War. A large number of historical materials were discovered during that period, and great composers of the Baroque period were strictly researched, making the authentic performance art and technique of Baroque period restored and re-understood. This movement caused a direct impact on the Performing art of music in contemporary Europe.
近年來,各大音樂學院的古典音樂學科發展蓬勃興盛, 培育了不少頂尖的國際音樂人才。但總體上對巴羅克本真音樂風格的認知還在起步階段。
In recent years, classical music discipline in major music schools has a flourishing development, and these schools have turned out quite a few international music talents. But on the whole, the perception of Baroque Music is still in its initial stage.
為了更好更迅速地與國際接軌,音樂節特邀數位歐洲著名的古樂界音樂家作為導師,和年輕音樂家們進行為期一周的交流指導。指導內容包括獨奏課及重要的室內樂課等。
In order to better keep up with the international practice, we invite several famous European musicians of classical music to this music festival to be tutors. They will communicate with the young musicians for a week and give them solo lessons and important indoor music lessons.
音樂節歡迎勇於質疑傳統,熱愛用知識與實踐來升級認知的青年音樂家加入!
Our music festival welcomes the young musicians who have the courage to question the tradition, the passion to improve themselves with knowledge and action, to join us!
期待和你們在德國美茵茲相聚!
Looking forward to meeting all of you in Mainz, Germany!

致 辭
Greeting


巴羅克音樂節主席 Chairman of Baroque Music Festival
法蘭克福音樂學院副院長 Vice President of the Frankfurt University of Music and Performing Arts
米歇爾.施耐德教授Prof.Michael Schneider

由中歐國際音樂藝術交流協會和法蘭克福音樂學院古樂系,美茵茲音樂學院共同舉辦的“國際巴羅克音樂節“不僅是中德兩國共襄的文化盛事,也是前所未有的古樂界的盛事,是真正的先鋒行為。
祝願這次巴羅克音樂節取得成功!
This International Baroque Music Festival held by China Europe International Music & Arts Exchange Association, The Historical Interpretation Practice Department of Frankfurt University of Music and Performing Arts and Mainz University of Music, is not only a grand cultural event hosted by China and Germany, but also a celebration devoted to historical-period performances, a real pioneer practice.
Wish the Baroque Music Festival a great success!

美茵茨音樂學院巴羅克大提琴及室內樂教授
Baroque Cello and Early Music Professor of Mainz University of Music
菲利克斯.科赫教授 Prof. Felix Koch

2017年,我們在美茵茲成功舉辦了有六十多位中歐青年音樂家參加的第一屆巴羅克音樂節。現在我們非常期待2018年德國國際巴羅克音樂節的到來。本屆音樂節將以維瓦爾第為首的義大利音樂家作品為主題重點。在十七和十八世紀,義大利曾是歐洲的音樂中心。蒙特威爾第,加布裡埃利,斯卡拉蒂,科雷利和維瓦爾第曾是歐洲音樂家模仿的對象。亨德爾也曾在羅馬,佛羅倫斯,那不勒斯和威尼斯等地遊學。義大利對於整個歐洲的音樂界來說,有著舉足輕重的領導地位。
2018音樂節中還加入了新的元素-聲樂大師班。屆時將會帶領學員深入領會十八世紀義大利對音樂的影響,並探尋更貼近作曲家本意的表達路徑。
期待各位的參與,2018年德國美茵茲見!

Nach der erfolgreichen Mainzer Barockakademie 2017 mit mehr als 60 Kursteilnehmern aus China und Europa, freuen wir uns auf die zweite Auflage des Festivals im August 2018. Mit dem Schwerpunkt „Italien“ wird Antonio Vivaldi mit seinen italienischen Kompositions-Kollegen im Mittelpunkt stehen. Italien, als ein zentrales Land der Musik, hat mit musikalischen Vorbildern wie Monteverdi, Gabrieli, Scarlatti, Corelli oder Vivaldi viele europäische Komponisten – wie u.a. G.F.Händel – im 17. und 18. Jahrhundert zu Bildungsreisen und Unterrichtsaufenthalten in den Zentren Rom, Florenz, Neapel und Venedig bewegt und die Musikwelt in ganz Europa entscheidend geprägt.
Die Mainzer Barockakademie 2018 wird sich – auch mit dem neu installierten Gesangs-Meisterkurs – diesen italienischen Einflüssen in der Musik des 18. Jahrhunderts widmen und den Verbindungen zwischen den Komponisten nachspüren.
Ich freue mich sehr auf eine spannende Barockakademie-Woche 2018 an der Hochschule für Musik Mainz!

2018德國·國際巴羅克音樂節概況
General Situation of 2018 Germany·International Baroque Music Festival


【一】
國際巴羅克音樂節·專業講座
International Baroque Music Festival·Academic Lectures


小提琴專業

Violin

中提琴專業

Viola

大提琴專業

Cello

木笛專業

Recorder

長笛專業

Flute

雙簧管專業

Oboe

羽管鍵琴Harpsichord
講座一

Theme (1)

About Baroque

Violin and Bow

(Basic Technic)

巴羅克時期提琴技巧簡介

Technique Introduction of Baroque String Music

巴羅克時期弦樂技巧簡介

Baroque Articulation and Phrase

巴羅克運音法及斷句

Baroque Sonata Form and Harmony

巴羅克奏鳴曲式及和聲

Flute History From 17-19 Century

17-19世紀長笛發展史

Baroque Articulation and Phrase

巴羅克運音法及斷句

Introduction of Basso Continuo

數字低音簡介

講座二

Theme

(2)

Difference of Baroque Styles

巴羅克風格

 

Baroque Articulation and Phrase

巴羅克運音法及斷句

Basso Continuo Praxis

低音部演奏技巧

Baroque Performing  Art

巴羅克風格的表達技巧

Flute Solo without Bass in 18 Century

18世紀長笛無伴奏樂曲演奏藝術

Baroque Improvisation  Art

巴羅克華彩演奏藝術

Basso Continuo Praxis

數字低音的實際應用

講座三

Theme(3)

Baroque

Improvisation  Art

巴羅克華彩演奏藝術

Baroque

Improvisation  Art

巴羅克華彩藝術

Italy Sonatas and

Improvisation Art

義大利奏鳴曲和華彩藝術

Baroque

Improvisation  Art

華彩演奏藝術

Church Sonata Performing Art

教堂奏鳴曲演奏藝術

Sound forming and Dynamics/ Period Instrument

不同雙簧管音色特色及強弱

Basso Continuo

Improvisation Art

數字低音部的華彩

【二】大師班
International Baroque Music Festival·Master Class | 
器樂專業大師課 Instrument


01.器樂專業大師課 Instrument

小提琴專業

Violin

中提琴專業

Viola

 

大提琴專業

Cello

木笛專業

Recorder

長笛專業

Flute

雙簧管專業

Oboe

羽管鍵琴Harpsichord
專業導師

Faculty

Petra Mullejans Daniela Helm Felix Koch Michael Schneider Karl Kaiser Ina Stock Markus Stein
第一次課

(1)

Music Piece

Telemann Violin Fantasia

TWV40:14-25

泰勒曼小提琴無伴奏幻想曲12首

Telemann Viola Sonata TWV40:1

Telemann TWV40:14-25

泰勒曼12無伴奏首幻想曲(改編自小提琴)

Bach Cello Sonaten und Suite

巴赫6首無伴奏奏鳴曲及組曲

Telemann Recorder Sonatas

泰勒曼豎笛奏鳴曲

Carl Philipp Emanuel Bach – Sonate a-moll für Flöte solo ohne Bass (Ausgaben: Amadeus oder Henle)

卡爾,菲力浦.依瑪紐埃.巴赫a小調無伴奏奏鳴曲(阿馬迪烏斯或亨勒出版社

Telemann Fantasie a-minor TWV 40:3
d-minor TWV 40:7泰勒曼幻想曲a小調作品號40:3d小調作品號40:7
Preparation Repertoire of Chamber Music

室內樂選曲

第二次課 (2)

Music Piece

Bach Violin Sonata

Handel Violin Sonata

巴赫小提琴6首無伴奏奏鳴曲及組曲

或亨德爾小提琴奏鳴曲

Bach Viola Sonata

Handel Violin Sonata

巴赫中提琴6首無伴奏組曲及奏鳴曲(改編自大提琴)

Preparation Repertoire of Chamber Music

室內樂選曲

 

Loeillet 12 Recorder Sonatas op.1

洛雷特作品1號12首奏鳴曲

Johann Sebastian Bach – Partita a-moll BWV 1013 für Flöte solo (Ausgaben: Amadeus oder Breitkopf)

巴赫作品號BWV1013a小調無伴奏組曲

(阿馬迪烏斯或布賴特科夫出版社)

Sammartini Sonata G-Major

薩瑪蒂尼G大調奏鳴曲

Preparation Repertoire of Chamber Music

室內樂選曲

第三次課(3)

Music Piece

Corelli Violin Sonata

科雷利小提琴奏鳴曲

Vivaldi Sonata or Concerto

維瓦爾第奏鳴曲或協奏曲

Benedetto Marcello 6 Sonaten/

Antonio Vivaldi 9 Sonaten

馬切羅6首奏鳴曲 或

維瓦爾第9首大提琴奏鳴曲

 

Benedetto Marcello 12 Sonaten op2

馬切羅作品2號12首奏鳴曲

 

Johann Sebastian Bach – Sonate e-moll BWV 1034 für Flöte und Basso continuo (Ausgaben: Breitkopf, Henle oder Bärenreiter)

巴赫e小調長笛奏鳴曲作品號BWV1034

(亨勒或熊騎士出版社)

Alessandro Marcello Oboe Concerto d- minor
亞歷山大.馬切羅雙簧管協奏曲d小調
Händel Sonatas亨德爾奏鳴曲
室內樂選曲

 02.室內樂重奏課Ensemble class of chamber music

♫ 各國學員混搭組成不同的重奏組;Every ensemble group combined with the students from different countries.

♫ 室內樂重奏課由專門的室內樂導師指導;Every ensemble Class will be teached by a professional Chamber music teacher.

♫ 共安排9次重奏課,總課時超過800分鐘。Nine Ensemble classes ( over 800 Mins in total.)

 

03.室內樂選曲Preparation Repertoire of Chamber Music

心動. 巴羅克Italienischer und Deutscher Barock

VIVALDI 維瓦爾第 HÄNDEL亨德爾 TELEMANN 泰勒曼
Concerti da camera RV 87-RV108

室內協奏曲作品號87至108

Trio sonaten HWV 380 – 405

三重奏鳴曲 作品號380-405號

Telemann Concerto a 7 a-Moll

泰勒曼 九重奏A小調

Telemann Concerto a 7 F -Dur

泰勒曼 九重奏F小調

Telemann Concerto B-Dur,

泰勒曼B大調協奏曲

Trio sonaten RV 70- RV 84

三重奏鳴曲作品號70-84

Telemann Quartette aus  TWV 43

泰勒曼四重奏 作品號43

Telemann Trio sonaten aus TWV 42

泰勒曼三重奏作品號 42

Telemann Concerto a quattro D-Dur und d-Moll

泰勒曼四重協奏曲D大調

Concerto a quattro d-Moll

泰勒曼四重協奏曲D小調

04.重奏曲目困難片段指導課Coaching Difficult Sections of Ensemble Pieces

♫ 由各專業導師分別為本專業學員指導;The professional tutors give the guidance of different major separately.

♫ 專門針對學員在重奏課中遇到的困難部分;Focus on the difficult part that students meet in ensemble courses.

♫ 共2次課,每次課約60分鐘。Two courses in all, about 60 minutes once.

【二】大師班
International Baroque Music Festival·Master Class | 聲樂專業大師課 Vocal Music   


01.課程簡介 Lessons Introduction

The master class will give an introduction to Baroque phrasing and embellishments, as well in recitatives as in arias. The class will be divided into group sessions, dedicated to general questions, and individual coaching. All lessons will be open to all course participants, the group sessions are obligatory.

以大眾熟知的詠歎調,康塔塔為媒介打開巴羅克聲樂風格大門。
內容:在聲樂課程中將會給以巴羅克風格,斷句,裝飾音法則,語言發音指導。
曲目包括:亨德爾,維瓦爾第,巴赫宣敘調,詠歎調,神劇作品。

02.课程安排 LESSONS ARRANGEMENT

 

上午

Morning

曲目賞析 Introduction and Analysis of Music Piece
語言訓練

Language-Coaching

導師指導公開課

Exercises,Analysis

下午

Afternoon

導師指導單獨課

Individual Working Sessions

伴奏公開課

Open Master Class

03.赏析曲目 INTRODUCTION AND ANALYSIS OF MUSIC PIECE

賞析曲目 Introduction and Analysis of Music Piece
第一課

Theme I

Bach, St. John Passion

巴赫:約翰福音

第二課

Theme II

Händel: Opera arias from Rodelinda

亨德爾歌劇:洛琳達

第三課

Theme III

Vivaldi/Händel: Chamber music (see repertoire list)

維瓦爾第,亨德爾室內樂

第四課

Theme IV

Bach: St. Matthew Passion

巴赫:馬太福音

第五課

Theme V

free choice with emphasis on embellishments

巴羅克音樂中華彩藝術

 04.聲樂大師課曲目範圍 Selected Repertoire For Vocal

Oper/Opera 歌劇片段 Kammermusik/Chamber music

室內樂選段

Oratorium/oratorio 神劇
G.F. Händel: Rodelinda

亨德爾:《洛琳達》

Rez., Arien und Duette   Recits, Airs and Duets

宣敘調與詠歎調,二重唱

Sopran/Soprano 女高音

A.Vivaldi: Amor, hai vinto RV 651, Cantata per soprano e basso continuo

維瓦爾第 :康塔塔作品號651,愛的勝利

J.S. Bach: Johannespassion  St. John Passion

巴赫:約翰福音 選曲

 

 

G.F. Händel: Giulio Cesare

亨德爾 《凱撒》

Rez., Arien und Duette   Recits, Airs und Duets

宣敘調與詠歎調,二重唱

Alt/Alto 女中音

G.F. Händel: Vedendo amor HWV 175, Cantata per alto e basso continuo

亨德爾:康塔塔作品號175,見證愛

 J.S. Bach: Matthäuspassion  St. Matthew Passion

巴赫:馬太福音選曲

 

G.F. Händel: Semele

亨德爾:《塞墨勒》

Rez., Arien und Duette  Recits, Airs und Duets

宣敘調與詠歎調,二重唱

Bass/Bass 男低音

G.F. Händel: Dalla Guerra amorosa HWV 102a, Cantata per basso e basso continuo

亨德爾:康塔塔作品號102a,愛的戰爭

Die Kursteilnehmer werden gebeten, mindestens 3 Arien und 2 Rezitative vorzubereiten.

The course participants are requested to prepare at least 3 airs  and 2 recitatives.

每位學員需從中選擇3首詠歎調和兩首宣敘調。

【三】2018國際巴羅克音樂節·音樂會
International Baroque Music Festival · Concerts Schedule


日期date 時間 Time 主題theme 演出者Performer 地點

Location

8月22日

22th. Aug.

10:30 見面音樂會《巴羅克之-詩》 Professor Concert (1)

“A hymn of Baroque”

大師班導師

Lecturers of Master Class

美茵茨音樂學院紅廳

Roter Saal

8月23日

23th. Aug.

19:30 教授音樂會 《巴羅克之-魅》

Professor Concert (2)

“Spirit of Baroque”

大師班導師

Lecturers of Master Class

美茵茨音樂學院紅廳

Roter Saal

8月24日

24th. Aug.

19:30 學員音樂會 《巴羅克之-詠》

Students Concert “A aria of Baroque”

大師班學員

Students of Master Class

美茵茨音樂學院紅廳

Roter Saal

8月25日

25th. Aug.

19:30 學員音樂會《巴羅克之-花》

Students Concert “Baroque Flower”

大師班學員

Students of Master Class

美茵茨音樂學院紅廳

Roter Saal

8月26日

26th. Aug.

19:30 學員音樂會 《巴羅克之-贊》

Students Concert “Paean of Baroque”

大師班學員

Students of Master Class

美茵茨音樂學院紅廳

Roter Saal

 【四】國際巴羅克音樂節·文化交流
International Baroque Music Festival · Interactive Communication


音樂節的舉辦,希望打破單純導師教學員聽的被動吸收模式,創建一個多元文化彙集的平臺,讓參與的中外各國學員和擁有不同原生文化背景的導師們積極溝通互動,在更自由和廣闊的語境中得到觸動和感悟。

穿插在課程中間的文化茶歇以及單獨的導師文化假日活動就是這樣的一次踐行和嘗試。

The Music Festival mainly offers a stage of multiple cultures, breaks the traditional teaching mode. In order to enhance the interactive communication between teachers and students from different backgrounds, we also offer the tea/coffee break during classes. 

導師文化假日Culture Trip

  • 由各專業導師帶領本專業學員組織一次集體出遊活動;A cultural trip for music teachers and their students.
  • 輕鬆有趣的出遊,與導師開啟一場不一樣的文化之旅.Trip fulled with enjoyment, to discover different cultures with teachers. 

文化茶歇

主題Theme 時長Time 地點place
第一次

First Time

茶歇及互動交流

Tea\Coffee Break and Communication

30分鐘

Thirty Minuets

美茵茲音樂學院

Mainz University of Music

第二次

Second Time

茶歇及互動交流

Tea\Coffee Break and Communication

30分鐘

Thirty Minuets

第三次

Third Time

茶歇及互動交流

Tea\Coffee Break and Communication

30分鐘

Thirty Minuets

第四次Fourth Time 茶歇及互動交流

Tea\Coffee Break and Communication

30分鐘

Thirty Minuets

 

【五】國際巴羅克音樂節·巴羅克室內樂作品比賽International Baroque Music Festival·Baroque Chamber Music Competition


 

日期date 內容content 參與者participants 地點place
8月27日

 

巴羅克室內樂作品比賽

Baroque Chamber Music Works Competition

 

大師班學員Participants of the Master Class 美茵茲音樂學院

Mainz University of Music

頒獎典禮及酒會

Award Ceremony and Party

音樂節所有參與人員

All Participants of the Music Festival

 

巴羅克音樂節室內樂作品比賽章程Competition Regulations

  1. 比賽順序由各組代表抽籤決定;

Competition sequence is decided by lot;

  1. 每個組準備一整首在大師班中學習的曲目,曲目長度為 15分鐘以內;

Each ensemble is expected to prepare a whole track learned in the master class, less than 15 minutes;

  1. 比賽只設一輪;

One round only;

  1. 比賽設一等獎一名、二等獎一名、三等獎一名;

The competition sets up one first prize, one second prize, one third prize;

  1. 獲勝組將獲得組委會頒發的證書和獎金;

The winning ensemble will receive certificates and prize presented by the Organizing Committee;

  1. 一等獎獎金1000歐元,二等獎獎金600歐元,三等獎獎金300歐元。

The award of first prize is 1000 euros; the award of second prize is 600 euros; the award of third prize is 300 euros.    

評委及標準 Judges and standards

  1. 比賽評委由大師班各位教授擔任;

The Professor of Master classes hold the judges.

  1. 以5分制評出優勝組,一分為最高分;

Rating their performance in five-grade marking system. The first is the highest score.

  1. 比賽以選手巴羅克風格掌握,音色,音樂表現作為基本評分標準。

The grading standards are musical style, timbre, and musical performance.

 

2018德國·國際巴羅克音樂節音樂家及工作團隊Musicians & Work Teams of 2018 Germany·International Baroque Music Festival


 

音樂節主席Chairman of Baroque Music Festival

木笛教授Recorder Flute Professor

米歇爾.施耐德 Michael Schneider

施耐德教授曾在1978年舉辦的ARD慕尼克國際音樂大賽中,憑藉優秀的音樂和技術一舉拔頭籌。1980年他成為柏林音樂學院的豎笛教授。1983年獲法蘭克福音樂學院邀請成為豎笛教授並在那裡建立了後來國際知名的古樂系。

施耐德認為現代音樂是豎笛曲目的一個重要環節。他公開演奏過很多現代作曲家的作品,如:賽羅基、米勒.洪堡、斯托克豪森等。並將之作為音樂會演奏和教學中的一個組成部分。他在世界各地如巴黎,斯德哥爾摩,耶路撒冷,斯圖加特,以及美國,加拿大,韓國的許多重要城市裡都開過音樂大師班,他定期將自己的經驗分享和傳達給許多年輕的音樂家和學生。

施耐德和他在法蘭克福的教授同事們組建了法蘭克福學院室內樂團。該樂團錄製了幾張非常賣座的CD。有“炫技的豎笛”和維瓦爾第的高難度豎笛協奏曲等。樂團定期演出,深得媒體和觀眾的熱烈好評與喜愛。除此之外他還有自己的室內樂組–科隆室內樂,並以指揮的身份領導歐洲最成功的巴羅克樂隊之一的“法蘭克福之季”

施耐德認為任何東西都是通過努力達到的。他對音樂的態度是:即使是最微小的細節也要通過精心思考和不斷地求證。

 

In 1978 Michael Schneider was a winner of the ARD International Music Competition in the category recorder. In 1980 he was appointed professor for recorder at the Hochschule der Künste Berlin. Since 1983 he has been invited as a professor by the Frankfurt University of Music and Performing Arts (Hochschule für Musik und Darstellende Kunst Frankfurt am Main), where he established a well-known “Early Music Faculty” (Abteilung für Alte Musik).

Michael Schneider thinks modern music is an important link among the recorder music pieces. He performed numerous works of modern composers in public, such as: Serocki, Müller Hornbach, Stockhausen and so on. And he regards them as a combined part of concert’s performance and teaching. Michael Schneider has given mater classes around the world, E.g Stockholm, Stockholm, Jerusalem, Stuttgart, Paris, USA, Canada and Korea. He also like sharing his music experiences regularly with many young musicians and students around the world.

With the Cologne-area-based orchestras „Kölner Kammerorchester“ and Capella Clementina (H.Müller-Brühl), „Das Kleine Konzert“ (H.Max), Collegium Cartusianum (P.Neumann), Collegium aureum (F.-J.Maier) Cappella Coloniensis (WDR-Köln) he gained experience in concerts and recordings in the 1980s. both as an orchestra-member and as a soloist. Even today there are lots of recordings available with him as a flute player as a member of these groups.

As Michael Schneider’s opinion, he thinks everything received is through the struggling. His attitude for music is: although any tiniest details must be thought carefully and constantly confirmed.

 

音樂節藝術總監 Art Director of Baroque Music Festival

大提琴教授Baroque Cello and Early Music Professor

菲利克斯.科赫Felix Koch

科赫教授自2011年起擔任美茵茨音樂學院的巴羅克大提琴及室內樂教授。他曾在曼海姆,卡爾斯魯厄,法蘭克福三所音樂學院學習現代及巴羅克大提琴。作為獨奏和重奏家他曾獲得過多個比賽大獎,並且也活躍在歐洲各大音樂節如:萊比錫巴赫音樂節,泰勒曼音樂節,維也納之春之中。他的音樂會演出足跡遍及全球:南美,歐洲,紐約,都靈等。

科赫教授曾任教于曼海姆,法蘭克福,薩布勒根等多個音樂學院。此外他還是“薩爾州古樂音樂節”的創辦者,及法蘭克福皇帝音樂廳的藝術總監。

Professor Koch has been teaching Baroque cello and chamber music at Mainz University of Music since 2011.  He studied Modern and Baroque cello at Conservatories of Music in Mannheim, Karlsruhe, Frankfurt . As a soloist and Chamber musician, he has won lots of competition awards and was also active in music festivals, such as Leipzig Bach Festival, Telemann Festival, the  Spring of Vienna. His concert performances are covering: South America, Europe, New York, Turin, etc. Professor Koch has ever taught in Mannheim, Frankfurt, Saarbruecken and many other conservatories of music. He is also the founder of “Saarland Music Festival” and artistic director  of the emperor of Frankfurt.

 

小提琴教授Violin Professor

彼得拉.米勒楊 Prof. Petra Mullejans

德國小提琴家、指揮彼得拉.米勒楊曾在杜塞爾多夫、紐約、弗萊堡學習,最後在弗萊堡的小提琴教授–前柏林愛樂首席萊納.庫斯茅爾(Rainer Kussmaul)那裡完成了她的獨奏家文憑學業。由於巴羅克小提琴神奇的音色讓她著迷,她在杜塞爾多夫的赫爾嘉.圖娜(Helga Thoene)教授和薩爾茲堡的尼古拉斯.阿農庫( Nicolaus Harnoncourt)那裡相繼獲得了巴羅克小提琴的系統學習。

米勒楊是歐洲最成功的樂隊之一,弗萊堡巴羅克樂隊的組建者、首席及藝術總監。其樂團獲得過2005年的“留聲機”(Gramophone)年度獎,2006年歐洲藝術基金會頒發的歐洲最佳室內樂隊獎,以及2010年的格萊美大獎等諸多獎項。她音樂魅力的獨特之處就是能將不同時代音樂風格和她自己的感性完美結合在一起。

她演奏方向著重於室內樂和獨奏。她的另外兩個室內樂組“弗萊堡小樂團”以及“激情歲月”演奏錄製了大量十七和十八世紀的音樂曲目。“弗萊堡小樂團”所灌錄的唱片曾獲得法國金音獎。除了精通古樂曲目外,她卓越天然的音樂感還體現在演奏克立茲默(傳統羅馬尼亞音樂)、探戈、和查爾達斯曲目上。對她說來這種“越軌”行為並不和巴羅克音樂衝突,反而給她獨特音樂風格的發展增添助力。

米勒楊女士定期受邀于世界權威和著名的藝術節如波斯頓古樂節等擔任獨奏。她現任法蘭克福藝術表演高等音樂學院巴羅克小提琴教授。

The German violinist and conductor, Petra Mullejans, studied in Düsseldorf, New York and Freiburg. She completed her studies in performance with Rainer Kußmaul in Freiburg. The sound of the Baroque violin has always fascinated her, leading to studies with Helga Thoene in Dusseldorf and Nikolaus Harnoncourt in Salzburg.
A founding member and co-artistic director of the Freiburger Barockochester, Petra Mullejans has performed as leader of the Orchestra and as a soloist and chamber musician for a long time. Her performance on the Baroque violin is quite unusual as she combines authentic period style with emotional spontaneity.
Another important aspect of her work is chamber music with soloists: with the Freiburger Barockochester Consort and The Age of Passions she plays works from the 17th and 18th centuries. For her recordings with the Consort she has received top recording awards (Diapason d’Or). Her extraordinary and spontaneous musicality is particularly evident when she performs Klezmer, Tango and Czardas music. For her, these ‘escapades’ are not at variance with Baroque music; on the contrary they are a vital contribution to her musical development.
Petra Mullejans is a regular guest at the world’s most prestigious music festivals. She teaches the Baroque violin at the Freiburg Conservatory and is professor of Baroque violin at the Hochschule für Musik und Darstellende Kunst in Frankfurt am Main.

長笛教授Flute Professor

卡爾.凱瑟 Prof. Karl Kaiser

卡爾.凱瑟教授曾在科隆和明斯特音樂學院學習過長笛,除此之外,他還在科隆和波恩大學學習過神學,哲學以及音樂理論學。作為獨奏家,重奏家和室內樂重奏家他在國際樂壇上獲得了很高的聲譽。

二十幾年來,他一直擔任弗萊堡古樂團的獨奏長笛,同時他也是世界一流古樂系,法蘭克福高等音樂學院古樂系的古長笛教授。作為長笛家曾灌錄過近60張CD。音樂會巡演的足跡更是遍及全球。曾出版過兩本專業書籍:《巴羅克音樂基礎知識》,和介紹法國巴羅克長笛作曲家歐特泰爾的《長笛演奏原則》。

Professor Carle has studied flute in Cologne and Muenster conservatories of Music。In addition, he studied theology, philosophy and musicology at University of Cologne and University of Bonn. As a soloist, and chamber musician, he gained high reputation in the international music scene.

For over twenty years, he has been the flute soloist at Freiburg baroque Orchestra. At the same time, he is also a flute professor at Historical Interpretation Practice Department of Frankfurt University of Music , which is one of the world’s first-class ancient music departments. As a flute performer, he has recorded nearly 60 CDs. Concert tour footprint covers all over the world. He published two books: “The basic knowledge of Baroque Music” and the “flute performance principle” introducing Hotteterre, a French Baroque flute composer.

 

中提琴家Violist

達尼拉.海姆Daniela Helm

達尼拉.海姆生於美茵茨的音樂職業家庭。1992年進入弗賴堡古樂團,後被任為該團的代理首席。作為首席她也活躍在柏林學院古樂團和布魯格的阿尼瑪交響樂團。

灌錄過無數獲獎唱片。她的教學經驗有弗賴堡古樂學院,荷蘭青年交響樂團,巴西大學,墨西哥城大學,伯恩音樂學院等。

Daniela Helm was borned in a professional music family. In 1992 she became member of the Freiburger Barockorchester, and was nominated as a first violin later. As the first violin she has been also active in Berlin University of the Arts (Universität der Künste Berlin) and Anima Orchester of Brugg and recorded numerous award-winning CDS. Her teaching experiences including: Baroque Orchestra Institute of Freiburg (Freiburger Barockorchesters’ Institute), National Youth Orchestra of the Netherlands, University of Brasilia, The University of Mexico City, Bern University of Arts (Hochschule der Künste Bern) etc.

 

雙簧管演奏家 Oboist

尹娜.斯托克Ina Stock

尹娜.斯托克現在任教於科隆,薩布勒根,埃森三所音樂學院。她在科隆音樂學院完成現代雙簧管學業,之後又取得了巴羅克雙簧管的獨奏家文憑。也獲得歐洲數個古樂器比賽大獎。作為獨奏家和重奏家,她和科隆古樂團,奧古斯汀娜樂團等一流樂團定期合作。也是著名指揮家約翰.艾略特.加德納爵士樂隊的常任雙簧管。她曾和德國電臺,英國BBC電臺等一流電臺合作灌錄多張唱片。她的音樂會巡演腳步也遍及世界。

Ina Stock is teaching at three conservatories of music including Cologne, Saarbruecken and Essen. She finished her modern oboe at Cologne Conservatory of Music and got her Baroque oboe soloist diploma later. She also won several awards of European historical performance instrumental competitions. As a soloist and chamber musician, she has regular cooperation with the Baroque Orchestra of Cologne, the Capella Augustina and other first-class Orchestras. She is also the permanent oboist in the famous jazz band of conductor John Eliot Gardiner. She has ever recorded lots of CDs with German radio, British BBC radio and other first-class radios. Her concert tours are also covering all over the world.

 

羽管鍵琴家Harpsichordist

馬庫斯.斯特恩 Markus Stein

斯特恩先生現在任教于美因茲音樂學院教授羽管鍵琴。同時也是美因茲古騰堡大學室內合唱團的藝術指導。他曾在薩爾州音樂學院,法蘭克福音樂學院跟隨不同教授學習管風琴和羽管鍵琴,此外,他也曾跟隨蜜雪兒.施奈德教授學習室內樂。

作為羽管鍵琴家,斯特恩先生經常合作的指揮家有蜜雪兒.霍福斯德特,湯.科普曼, 康拉德.永海納,以及歌唱家安德里亞斯.舒爾等。合作過的樂團有科普倫茲愛樂團,法蘭克福之春古樂團。除此之外他還和小提琴家芭芭拉.毛賀.海克和大提琴家菲利克斯.科赫創立了成功的紐麥耶巴羅克室內樂組。

Mr. Stein is teaching harpsichord at Mainz University of Music. Meanwhile, he is also the art director of the Chamber Choir of Gutenberg University in Mainz. He studied pipe organ and harpsichord at Saarland and Frankfurt University of Music and Performing Arts from different professors. Besides, he studied chamber music from Professor Michael Schneider. As a harpsichordist, he always cooperates with conductor Michael Hofstetter, conductor Ton Koopman, conductor Konrad Junghaenel and singer Andreas Scholl, etc. The orchestras he has cooperated with are orchestra Philharmonic and La Stagione Frankfurt. Besides, he formed the successful Neumeyer Consort with violinist Barbara Mauch Heinke and cellist Felix Koch.

 

聲樂教授

伊麗莎白.舒爾 Elisabeth Scholl

伊莉莎白.舒爾教授是為在歐洲各大音樂節上炙手可熱的歌唱家,如倫敦BBC逍遙音樂節,洛桑音樂節,亨德爾音樂節等。她經常合作的指揮家有雷利.雅克布,弗雷德.貝爾紐斯,馬里納爵士等。同時她也受邀於歐洲一些大劇院作為歌劇主角演唱。有柏林歌劇院,瑞士根特劇院等。

從2009年起,舒爾女士聘為巴羅克歌唱教授任教于紐倫堡音樂學院,2017年起被同時聘為美茵茲音樂學院歌唱教授。

Professor Elisabeth Scholl is a very hot singer in many large European music festivals. The conductors whom she cooperated with have René Jacobs, Frieder Bernius, Sir Neville Marriner etc. Meanwhile she has been invited as a main role of operas for some European operas, including Berlin Opera (Deutsche Oper Berlin), Opera Gent of Switzerland. etc.

From the year 2009, Ms.Elisabeth Scholl has been appointed as a vocal professor of Baroque in Hochschule für Musik Nürnberg-Augsburg, and also from 2017 she has been employed as a vocal professor in Hochschule für Musik Mainz.

 

音樂節秘書長 General Secretary of the Music Festival

崔紅霞 Cui Hongxia

崔紅霞,德國弗萊堡古樂團唯一亞裔演奏家,奧地利格拉茲思迪利亞音樂節樂隊代理首席。從小跟隨趙光明老師學琴,早年畢業於四川音樂學院,師從劉盾,楊寶智教授,鮑宏老師學習小提琴。後赴德國留學,師從蘇珊娜.史都特教授。畢業後跟隨古樂系彼得拉.米勒楊教授學習巴羅克小提琴,並取得“演奏家文憑”。她的演奏經驗不僅限於獨奏,作為樂隊首席曾合作的音樂家有:湯姆.庫普曼,蜜雪兒.施奈德,拉爾夫.奧托,蜜雪兒.霍福斯德特等,同時也活躍於很多巴羅克室內樂團和管弦樂團中。其中著名的有:弗萊堡巴羅克樂團、法蘭克福學院室內樂團、法蘭克福之季古樂團、美茵巴羅克樂團、里昂音樂會樂隊,曼海姆宮廷樂隊等。

Cui Hongxia is the only Asian performer of Freiburg Baroque Orchestra and the Acting Principal of the Austria Graz Styriarte Music Festival Orchestra.

She learnt to play the violin from Zhao Guangming at an early age and graduated from Sichuan Conservatory of Music under the tutelage of Professor Liu Dun,Professor Yang Baozhi and Professor Bao Hong to study violin. Later, she went to Germany for further study, where she was in the studio of Professor Susanna Stoodt. After graduation, she studied Baroque violin from Petra Muellejan, professor of ancient music department of Frankfurt University of Music and Performing Art, and achieved the“Concert soloist”for the Baroque violin, thanks to her outstanding performance.

Aside from being an active concert soloist, she serves as the concertmaster in various orchestras, under the baton of conductors such as Tom Cooperman, Micheal Schneider, Ralf Otto and Michael Hofstetter and at the same time remains active in many Baroque Chamber Orchestras and other Orchestras.

The well-known ones are: Freiburg Baroque Orchestra, Frankfurt Chamber Orchestra, La Stagione Frankfurt, main Baroque Orchestra, Mannheim court Capella, etc.

 

 

音樂節執行總監Executive Director of the Music Festival:

馬毅 Ma Yi

音樂藝術專案策劃人,四川音樂學院音樂研究所副教授,研究方向:音樂美學、音樂現象學,出版專著多部,課題研究數十項。四川省美學學會常務理事、中歐國際音樂藝術交流協會中國區秘書長,致力於國際文化交流事業,多次赴德國、法國、捷克等進行國際文化活動交流。並於2015年至2017年成功策劃和組織了三屆歐洲易北河穀國際音樂節””2016中法青少年藝術作品展覽暨經典藝術鑒賞之行“”2016中法藝術之春““2016法國音樂周””2017德國·國際巴羅克音樂節“ “2017梅蘭竹菊華樂音樂節”“2017第二屆國際巴羅克音樂藝術周”等多項國際文化交流項目。

Ma Yi is an associate professor of Music Research Institute of Sichuan Conservatory of Music. Her research directions are music aesthetics, and music phenomenology. She has published many monographs and has done researches on dozens of topics. She is also the executive director of the Sichuan Provincial Aesthetic Society, General Secretary of China for China Europe International Music and Arts Exchange Association. Committed to the career of international cultural exchanges, she has been to Germany, France, Czech, and other countries many times for international cultural activities. And in the year of 2015,2016 and 2017, she successfully planed and organized three times of the“The Elbe Valley International Music Festival ”,“The French-Chinese Invitational Junior Art Exhibition 2016”, ”Festival Croisements 2016”and“Semaine de la Musique Francaise 2016”“2017 Germany International Baroque Music Festival””2017 Germany-Traditional Chinese Music Festival”and “The 2nd International Baroque Music Week ”and other international Culture exchange programs.

 

音樂節顧問Consultant of the Music Festival:

陳孟亨 Meng-Heng Chen

陳孟亨,2010 年取得美國波士頓大學音樂藝術博士學位,主修木笛演奏。取得博士學位回臺灣後,致力於木笛的系統化教學與專業化,並積極將臺灣的木笛推向國際;自2005年起多次率團參加全日本木笛大賽榮獲「金賞獎」。2013年帶團前往韓國參加春川木笛大賽榮獲「指導者大賞」,為比賽的最高榮譽。陳孟亨畢業回臺灣的數年間,受木笛界的重視,多次前往歐洲、大陸、韓國、日本、香港等地演出與講習,並獲得波士頓大學傑出校友之殊榮。現任教于國立清華大學音樂學系。

Meng-Heng Chen, faculty of Tsing Hua University, Taiwan. She earned the degree of Doctor of Musical Arts from Boston University in 2010, with a major in Historical Performance and Recorder as her performing instrument, and was awarded with “Student Presentation Honor Award”. Chen is patriotic in terms of promoting Taiwan and the achievements of Taiwanese recorder performance to the rest of the world. She leaded ensembles to winning the gold medals at the “Japan Recorder Competition” in 2005, 2012, 2014, 2015 and 2017. In 2015, she organized the third ARF Asia Recorder Festival in Taiwan, and also performed in the opening concert and conducting the recorder orchestra to collaborate with flanders recorder quartet at the final concert. Chen was often invited to teach and perform in several countries, such as China, Korea, Japan, Hong Kong, Israel, Holland, Belgium and so on. Since her excellent performance after graduated, she got the award of the notable alumni in the Boston University.

2018德國·國際巴羅克音樂節日程Schedule of 2018 Germany·International Baroque Music Festival


 

日期Date 時間Time 內容Event 地點Location
第一天 First Day

8月20日(週一)

20th. Aug. Monday

從中國出發 Departure from China
第二天 Second Day

8月21日(週二)

21th. Aug. Tuesday

09:00 抵達法蘭克福,接機 Arrival in Frankfurt, Pick up from Airport 法蘭克福機場

Frankfurt Airport

09:30-15:00 遊覽呂德斯海姆萊茵小鎮 Visiting Rüdesheim 呂德斯海姆

Rüdesheim

18:30-19:30 各國音樂節學員見面會 Meeting with Students
第三天 Third Day

8月22日(週三)

22th. Aug. Wednesday

09:00-10:00 第二屆德國國際巴羅克音樂節開幕式

Opening Ceremony of Germany International Baroque Music Festival

美茵茲音樂學院

Mainz University of Music

10:30-12:00 ♫ 導師見面音樂會/聲樂大師課Meeting Concerts of Lecturers/Vocal Master Class
13:30-15:00 室內樂重奏課/聲樂大師課 Ensemble Lessons of Chamber Music/Vocal Master Class
15:00-15:30 ®文化茶歇 Tea/Coffee Break
15:30-16:45 室內樂重奏課/聲樂大師課 Ensemble Lessons of Chamber Music/Vocal Master Class
17:00-18:00 重奏曲目困難片段指導課 Coaching Difficult Sections of Ensemble Pieces
第四天 Fourth Day

8月23日(週四)

23th. Aug. Thursday

9:00-10:00 專業講座/聲樂大師課 Lecture/Vocal Master Class 美茵茲音樂學院

Mainz University of Music

10:00-12:00 專業大師課 Master Class
13:30-15:00 室內樂重奏課/聲樂大師課Ensemble Lessons of Chamber Music/Vocal Master Class
15:00-15:30 ®文化茶歇 Tea/Coffee Break
15:30-16:45 室內樂重奏課/聲樂大師課Ensemble Lessons of Chamber Music/Vocal Master Class
17:00-18:00 重奏曲目困難片段指導課Coaching Difficult Sections of Ensemble Pieces
19:30 ♫教授音樂會 Professor Concert
第五天 Fifth Day

8月24日(週五)

24th. Aug. Friday

9:00- 導師文化假日Lecturers Cultural Trip 美茵茲 Mainz
15:00-18:00 室內樂重奏課/聲樂大師課Ensemble Lessons of Chamber Music/Vocal Master Class 美茵茲音樂學院
19:30 ♫學員音樂會Students Concert Mainz University of Music
第六天 Sixth Day

8月25日(週六)

25th. Aug. Saturday

9:00-10:00 專業講座/聲樂大師課Lecture/Vocal Master Class 美茵茲音樂學院
10:00-12:00 專業大師課Master Class Mainz University of Music
14:30-16:00 室內樂重奏課/聲樂大師課Ensemble Lessons of Chamber music/Vocal Master Class
16:00-16:30 ®文化茶歇Tea/Coffee Break
16:30-18:00 室內樂重奏課/聲樂大師課Ensemble Lessons of Chamber Music/Vocal Master Class
19:30 ♫學員音樂會Students Concert
第七天 Seventh Day

8月26日(周日)

26th. Aug. Sunday

9:00-10:00 專業講座/聲樂大師課Lecture/Vocal Master Class 美茵茲音樂學院
10:00-12:00 專業大師課Master Class Mainz University of Music
14:30-16:00 室內樂重奏課/聲樂大師課Ensemble Lessons of Chamber Music/Vocal Master Class
16:00-16:30 ®文化茶歇Tea/Coffee Break
16:30-18:00 室內樂重奏課/聲樂大師課Ensemble Lessons of Chamber Music/Vocal Master Class
19:30 ♫學員音樂會Students Concert
第八天 Eighth Day

8月27日(週一)

27th. Aug. Monday

9:00-13:00 室內樂作品比賽Chamber Music Competition 美茵茲音樂學院
15:00-16:30 頒獎典禮及酒會

Award Ceremony and Farewell Reception

Mainz University of Music
第九天 Ninth Day

8月28日(週二)

28th. Aug. Tuesday

10:30 送機

Departure from Germany

第十天 Tenth Day

8月29日(週三)

29th. Aug. Wednesday

回到美麗舒適的家。

Back Home

2018德國·國際巴羅克音樂節參與須知Participation Notices for 2018 Germany International Baroque Music Festival


  • 大師班學員邀請對象:各大音樂學院專業教師、專業學生及職業音樂家;

Learners to be invited: teachers and students of conservatories and professional musicians.

  • 大師班專業設置及學員名額Specialties setup and respective quotas:

小提琴專業Violin: 10位 Ten Persons

中提琴專業Viola:   10位 Ten Persons

大提琴專業Cello:  10位 Ten Persons

雙簧管專業Oboe: 10位 Ten Persons

木笛專業Recorder:10位 Ten Persons

長笛專業Flute: 10位 Ten Persons

聲樂專業Vocal Music:10位 Ten Persons

鋼琴專業(用羽管鍵琴授課)Piano(Teaching with Harpsichord):6位 Six Persons

  • 曲目範圍:管弦專業學員請從大師課曲目及室內樂選曲曲目中選擇一首曲目並預習;聲樂專業學員請從聲樂曲目中選擇3首詠歎調和兩首宣敘調並預習;

Students who studied in string and wind instruments should prepare one music chosen from the selected repertoire of the master class. Students who studied in vocal should prepare three arias and two recitatives from the selected repertoire for vocal master class.

  • 隨行人員邀請對象及名額:

Accompanying persons to be invited and respect quota:

1.各大院校音樂學、作曲、音樂美學專業學生 共20位;

A total of 20 students from majors of music, composition and music aesthetics;

2.非音樂專業學生或從業者的愛樂者 共30位;

A total of 30 non-musical majors, music practitioners or amateurs;

 

  • 大師班期間的大師課為公開課,學員及隨行人員均可旁聽;隨行人員除享有音樂會及酒會的正式參與席位外,其它課程,講座,比賽均向隨行人員開放旁聽。

Master Class is opening for all persons, students and accompanying persons can join master classes. Except concerts’seats and farewell reception, also lessons, lectures and competitions are opening for accompanying persons.

  • 室內樂重奏組由組委會根據學員情況安排中外國學員混搭組成;

Ensemble group of chamber music with combined(Mixed) Chinese students and foreign students is arranged by committee of music festival

音樂節組委會有酌情改動細節條例的權利,並保留一切課程及人員調配變更的解釋權。

The organizing committee has the right to amend the details of the notices as appropriate and to retain the right to interpret all the adjustments of courses and personnel allocation. 

2018德國·國際巴羅克音樂節報名須知Registration Notices of 2018 Germany International Baroque Music Festival


 

準備一段時長不超過7分鐘的個人演奏音訊或視頻;

Prepare a piece of audio or video of personal instrumental performance, which should be no more than 7 minutes.

通過電子郵件的方式向音樂節組委會指定報名聯絡人提交報名申請和個人音訊/視頻資料;

Submit application form and music recordings/videos via email to a specified person of music festival committee

組委會收到報名申請及個人演奏資料後與報名者聯繫,確認後續。

Committee will connect and confirm later progress with applicators after receiving materials.

 

※     報名截止日期:2018年4月30日(大師班名額有限,請有意向的學員儘快報名)

Registration deadline: April 30, 2018 (master class quota is limited, please sign up as soon as possible)

※     主辦方聯繫方式Contact ways of the sponsor

中歐國際音樂藝術交流協會 德國總部

China- Europe International Music & Art Exchange Association German Headquarters

地址Address:Kleyerstr 8,60326 Frankfurt am Main

連絡人:崔老師

contact:  Ms. Cui

電話Tel:0049-15231904635

工作郵箱E-mail address:hongxia_geige@yahoo.com

 

中歐國際音樂藝術交流協會 中國代表處(成都)

China-Europe International Musical Arts Exchange Association China Representative Office (Chengdu)

連絡人: 馬老師 余老師

Contact : Ms. Ma, Ms. Yu

電話Tel:028-61515239

1832839 8048 / 136 8815 5688

工作郵箱E-mail address:works@ceimaea.com

 

※     臺灣地區官方報名點 Registration ways of Tai Wan:

新竹直笛合奏團

Hsin-Chu Recorder Orchestra

連絡人: 洪至萱老師

Contact: Ms. Hung

聯繫電話Tel:0918-771-299

工作郵箱E-mail address:hsinchurecorder@gmail.com

 

※     北京地區官方報名點 Registration ways of Beijing City:

連絡人:付老師

Contact: Mr. Xi

聯繫電話Tel:13801057577

工作郵箱E-mail address:13801057577@163.com

 

※     廣東地區官方報名點Registration ways of Guangzhou City:

連絡人:奚老師

Contact: Mr. Xi

聯繫電話Tel:18215688097

工作郵箱E-mail address: simon_cello155@hotmail.com

 

※     華東地區官方報名點Registration ways of East China:

安徽厚藝文化傳播有限公司

Anhui Honesty Art Culture Promotion Co.,Ltd

連絡人Contact:孫老師 Mr. Sun

聯繫電話 Tel:15922318751

法蘭克福音樂學院Frankfurt University of Music and Performing Arts


法蘭克福音樂和表演藝術學院是德國的一所公立藝術大學,德文全稱Hochschule für Musik und Darstellende Kunst Frankfurt。該學院成立於1878年,也是是黑森州的唯一一所音樂與表演藝術大學。現只有學生約900人,卻擁有教授和講師超過400人,師生比例優勢十分明顯。作為德國傑出高等專科學校之一,法蘭克福音樂和表演藝術學院有多種科系和課程。多年辦學過程中注重不斷提高現有專業水準,並積極拓寬可頒發學士和碩士學位的專業方向。 學院現有全日制音樂學(音樂教育)、音樂學(舞蹈方向)、音樂表演四年制本科專業和音樂教育專業三年制專科專業,有全日制本、專科在校生800余名。 音樂與表演藝術學院現有專用教學大樓3幢面積近4000餘平方米,其中標準教室11間、多媒體教室3間、1對8數碼鋼琴教室2間、小型演奏廳1個、大型演奏廳1個、電腦音樂教室1間、錄音室1間、舞蹈教室5間、專用琴房200餘間等。有總價值420余萬元的教學儀器設備。其中有教學用鋼琴210餘台、手風琴100餘部、其它樂器(小提琴、管樂器等)200餘件,收、答錄機、錄放相機、電視機、多媒體電腦、電腦音樂製作系統等各類音像、電教、多媒體教學設備80餘台(套),各類演出服裝近千餘件(套), 學校圖書館有較為豐富的音像圖書資料。學校新區規劃中,有一幢10000平方米的音樂藝術大樓,其中有能容納500餘人的中等規模的專業演奏廳一個,並將有兩層樓按德方要求修建並用於「貝多芬音樂學院」的專用場地。

Frankfurt University of Music and Performing Arts is a public University of the Arts in Germany, (Hochschule für Musik und Darstellende Kunst Frankfurt. In German). It was founded in 1878, the only one university of music and performing arts in Hesse, which has about only 900 students, over 400 professors and lecturers, obviously advantageous faculty-student ratio. As one of German outstanding universities, Frankfurt University of Music and Performing Arts has a variety of departments and courses. Over the years, during the process of running the school, it focuses on improving the existing professional level and actively expands the professional direction of giving bachelor’s and master’s degree. Now, it has full-time musicology music education musicology (dance direction), music performances, four-year undergraduate education and three-year professional music education. It has more than 800 of full-time students. School of Music and Performing Arts has three special teaching buildings of nearly 4000 square meters, including eleven standard classrooms, three media classrooms, 1-8 digital piano classrooms, one small concert hall, one large concert hall, one computer music classrooms, one recording room, five dance classrooms, 200 private piano rooms etc. Teaching instruments and equipment are of a total value of more than 420,000 Yuan, including more than 200 pianos for teaching, over 100 accordions and over 200 other instruments (violin, wind instrument). Besides, it has more than 80 pieces (sets) audio, audio-visual and multimedia teaching equipment such as radio, tape recorder, recording camera, television, multimedia computer, computer music production system, and nearly one thousand pieces (sets) of all kinds of costumes. There are rich audio and video library materials. In the school planning districts, there is a music art building of 10000 square meters, of which a medium-sized professional concert hall can accommodate more than 500 people, and two floors will be constructed and used as the special area of “Beethoven Conservatory”according to the German requirements .

德國法蘭克福音樂學院古樂系Historical Interpretation Practice Department of Frankfurt University of Music and Performing Arts


德國法蘭克福學院的古樂系是聞名世界一流古樂系。古樂系的系主任是蜜雪兒.施奈德教授,他是古樂復興運動的領軍人物,也是世界聞名的木笛演奏家。他在20世紀80年代一手建立了法蘭克福的古樂系。吸引了世界一流的演奏家前來任教。現任小提琴教授是世界頂級古樂團德國弗賴堡古樂團的首席,及小提琴獨奏家彼得拉.米勒楊。任長笛的教授是弗賴堡古樂團的獨奏古長笛卡爾.凱瑟。任古大提琴的教授是柏林愛樂古樂隊的大提琴家克裡斯汀.馮.德哥爾斯。以及其他專業的優秀演奏家及教師,在她們的用心栽培下,培育出一代代優秀的巴羅克音樂家。

The Interpretation Practice Department of Frankfurt University of Music and Performing Arts in Germany is world famous. The head of the department is Professor Micheal Schneider, who is the leading figure of the historical performance revival movement and the famous flute performer. He founded Historical Interpretation Practice Department of Frankfurt University of Music and Performing Arts in 1980s, which attracted world’s top players to teach there. Now Petra Muellejans, who is the world’s top chief professor of violin Orchestra of Freiburg Baroque Orchestra and solo violinist, is the violin professor there; Karl Kaiser, who is the flute soloist of Freiburg Baroque Orchestra, is teaching flute now; the Baroque cello Professor Kristin von der Goltzis is from Berlin Philharmonic Orchestra; there are other excellent performers and teachers. These great teachers have devoted themselves to generations of great Baroque musicians.

美茵茲音樂學院Mainz University of Music 


美茵茲音樂學院是德國萊茵普法茲州唯一一所音樂學院,同時它也附屬於美因茲古騰堡大學。學院始成立於1973年,成立以來秉承藝術實踐與研究緊密結合的理念,將音樂理論學和音樂教育學應用到實際科目中去。還不斷和各大歌劇院合作,為學院學生提供很多音樂實踐和進修的機會。並培養出大量的優秀藝術音樂人才。學院除設有各類古典樂器學科外,還設有爵士樂,音樂理論和管風琴,歌劇,音樂教育,現代音樂等學科。

美茵茲音樂學院早期音樂系將為本科、及以上學歷的學生,提供在音樂會或音樂專案中,使用巴羅克樂器演奏古典曲目的機會。

自2010年卓越計畫“巴羅克聲樂”設立以來,庫普蘭,鈴木雅明,安德瑞斯·修爾,庸根奈爾,凱茲納和邁克·霍夫斯蒂特等國際客席指揮經常被邀請作為駐校藝術家。

此外,諾麥爾樂隊的成員,以及其他著名的巴羅克管弦樂隊也為不同專業的學生授課,主要講授諾麥爾樂隊研究院的管弦樂和室內樂。眾多無線電廣播,CD和DVD製作以及與國際CD品牌的合作,展示了美茵茲音樂學院音樂專案的多樣性。

Mainz University of music is the only one conservatory in Rheinland-Pfalz, which is also attached to the Mainz University of Gutenberg. Since its establishment in 1973, the school has persisted in the idea of combining music theory and music pedagogy with practical subjects. It also continuously cooperates with the opera house to provide students with a lot of music practices and learning opportunities, cultivating a large number of outstanding art music talents. In addition to all kinds of classical musical instruments, it has also set up jazz, music theory, pipe organ,Opera,Music Pedagogy,new music and other disciplines.

The Early Music department of University of Music Mainz will offer for students of Bachelor and above, the opportunity to gain experience with historical informed playing on Baroque instruments through concerts and projects.

Since the founding of the Excellence program “Barock vokal” in 2010, international guest conductors such as Ton Koopman, Masaaki Suzuki, Andreas Scholl, Konrad Junghänel, Wolfgang Katschner und Michael Hofstetter have regularly been invited as Artists-in-residence.

In addition members of Neumeyer Consort as well as other renowned Baroque orchestras coach the students (of different courses of studies), specifically for Neumeyer Consort Academy’s orchestral and chamber music projects at the University of Music Mainz. Numerous Radio, CD and DVD productions as well as co-operations with international CD labels document the variety of their projects.

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